"High purity of sound and a statuesque bearing"

And as for McLeod, Spassov [Michael Spassov; Artistic Administrator of Edmonton Opera] adds, ‘She sings an incredible solo in the Consecration Scene, a hymn to the ancient Egyptian god Phthah. Cara has a high purity of sound and a statuesque bearing that make her perfect for that role.’ 
— Anna Borowiecki, St. Albert Gazette