CLM Productions Proudly Presents

Roberto Devereux

Written by
GAETANO DONIZETTI

Presented in concert in collaboration with Calgary Concert Opera Company & Opera by Request
Approximate Running Time: 2 Hours

Welcome to Roberto Devereux, the inaugural presentation of CLM Productions!

The confluence of events that conspire to create a moment or experience always fascinates me, and this evening is no different. For several years, I pursued professional operatic singing engagements throughout Canada and internationally. Since I moved back to Edmonton in 2017, and particularly through the Covid-19 pandemic, I realized that there are so many different ways to create music and memories for audiences of all kinds, while supporting other artists. 

In early 2022, Barbara King with Calgary Concert Opera Company invited me to sing the role of Queen Elisabetta in Roberto Devereux in their upcoming collaboration with William Shookhoff (Opera by Request) to celebrate the Queen’s Jubilee. I was hesitant at first, as the role is demanding, and as a great friend and colleague, Barbara assured me this was a good fit.  Not one to turn away from a challenge, I took it on and absolutely fell in love with the opera, the music, the story, the characters, and my colleagues. So, I decided to take the risk and present this incredible opera in Edmonton (with agreement and a TON of support from William and Barbara!). I was thrilled when Ernesto and Bertrand agreed to be involved again, and that Dan, Hans and Bernie joined us! Unfortunately, Dan Rowley had to withdraw from the performance. I am grateful that tenor Valentin Borsu, who sang the role in Calgary, was able to join us and reprise the role of Lord Cecil.

One of my favourite moments performing is when I’m waiting backstage thinking of you, the audience… what you’re feeling, who you’re with, the conversations you’re having, and your anticipation to be taken away to a different world for the evening. Know that as you read this, I’m smiling to myself and hoping you relish in this exquisite music that is so rarely heard live, and that you feel the love and connection with which it is intended.

From my heart to yours,
Cara

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 About the Show

Roberto Devereux is the final installment in Gaetano Donizetti’s trilogy about the English Tudor queens. The opera is loosely based on the 2nd Earl of Essex, Robert Devereux, who served the court of Queen Elizabeth I.

Synopsis

England, 1599. Robert Devereux, Earl of Essex and favourite of Queen Elizabeth I, is sent to Ireland with an army to defeat the rebellious Irish chieftains. After an unsuccessful campaign, and against the queen’s orders, he returns to England, where his actions are deemed a desertion of duty. The story of the opera takes its inspiration from the events of the following two years, which are condensed into a few days.

  • Sixteenth-century London. Sara, Duchess of Nottingham, is in tears while reading a book. Unknown to the other ladies of the court, she is not crying about the story she’s reading, but about her own situation—she is in love with Robert Devereux. Elisabetta enters and tells Sara that she has decided to follow her husband Nottingham’s advice and receive Devereux, although she is worried that his affections have turned to another woman. Roberto has returned from Ireland accused of treason; he enters and Elizabeth tells him she is ready to pardon him and reminds him of a ring she gave him as a pledge of his safety. He responds with indifference to her talk of their past love, and she is suspicious. The Duke of Nottingham arrives to greet Robert. He is worried about his friend’s safety but also concerned about his unhappy wife, whom he found crying over a blue scarf she was working on. He assures Roberto he will do what he can to defend him.

    Sara thinks of Roberto and the danger he is in. He appears and she tells him that Elisabetta forced her to marry Nottingham, and reminds Roberto that he is wearing the queen’s ring. He tears it off and assures her of his love. Sara implores him to flee and gives him the blue scarf as a pledge of her affections.

  • Devereux is arrested and the council condemns him to death. Sir Walter Raleigh reports that he has arrested Roberto according to the queen’s orders, and in a search, found a concealed blue scarf. Nottingham brings the death warrant for the queen to sign but again pleads for his friend and dismisses all accusations as slander. When Roberto is led in, she turns on him furiously and shows him the scarf. Nottingham’s astonishment turns into a jealous rage, but he remains silent in order to save his wife. Elisabetta offers Devereux his life if he reveals his secret lover. He refuses and is carried off to jail. She decides to save him anyway, but demands to see the ring she gave him. His only hope for salvation is if Sara can bring her the ring before the execution.

  • Sara receives a letter from Robert in which he asks her to take the ring to Elizabeth and hope for her mercy. Nottingham, in revenge for her presumed betrayal, confines her to the palace until Devereux is executed.

    In his cell in the tower, Roberto hopes that he will be able to clear Sara’s name before his death. When soldiers appear to take him to his execution, he realizes that all that’s left to him is to pray for her in heaven. 

    The queen wonders why Sara is not there to comfort her. In spite of everything, she wants Roberto to live and hopes that he will send her the ring, but instead Cecil appears to tell her that Robert is on the way to his execution. When Sara runs in with the ring and confesses that she is Elizabeth’s rival, the queen orders the execution stopped, but it is too late: a cannon shot announces Robert’s death. Sara and Nottingham are condemned to death and Elisabetta abdicates the throne.

 

Meet the Artists

WILLIAM SHOOKHOFF

Music Director / Piano

TIMOTHY ANDERSON

Emcee

ERNESTO RAMIREZ

Roberto Devereux 

 

CARA LIANNE McLEOD

Queen Elisabetta

BARBARA KING

Sara, Duchess of Nottingham

BERTRAND MALO 

Lord Duke of Nottingham

 

Valentin Borsu

Lord Guglielmo Cecil

HANS FORBRICH

Sir Gualtiero Raleigh

BERNIE SCHALOSKE

Servant /Page 

 Special Thanks

Tonight would not have been possible without the generous support of
Calgary Concert Opera Company (Barbara King & Chris Gieck) and Opera by Request (William Shookhoff).

Special thanks to:
Alberta Music Education Foundation, Daunine Pardely for her expertise in media and marketing, Tony Howell & Co. for creating the digital program, Ray Pryma with Pryma Photography, Hans and Susanne Forbrich, Bertrand Malo and Kim Chow, Marcie and Cory Chisholm, Cristina Weiheimer, Raydene Koch, and Emilio De Mercato and Alberta Symphony Orchestra Society.

We’re grateful also to Cory Schatchel with Edify Edmonton, Grant Stovel and CKUA Radio, Travis Dosser and the Sherwood Park News, and Oliver Munar with Schmopera for helping us spread the news of this performance!

Featured Press

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